Age, Biography and Wiki

Joan Greenwood (Joan Waller Greenwood) was born on 4 March, 1921 in Chelsea, London, England, UK, is an Actress, Soundtrack, Miscellaneous.

Popular AsJoan Waller Greenwood
Occupationactress,soundtrack,miscellaneous
Age66 years old
Zodiac SignPisces
Born4 March 1921
Birthday4 March
BirthplaceChelsea, London, England, UK
Date of death28 February, 1987
Died PlaceChelsea, London, England, UK
Nationality
UK

Joan Greenwood Height, Weight & Measurements

At 66 years old, Joan Greenwood height is 5′ 0½” (1.54 m) .

Physical Status
Height5′ 0½” (1.54 m)
WeightNot Available
Body MeasurementsNot Available
Eye ColorNot Available
Hair ColorNot Available

Who Is Joan Greenwood’s Husband?

Her husband is André Morell (16 May 1960 – 28 November 1978) ( his death) ( 1 child)

Family
ParentsNot Available
HusbandAndré Morell (16 May 1960 – 28 November 1978) ( his death) ( 1 child)
SiblingNot Available
ChildrenNot Available

Joan Greenwood Net Worth

Her net worth has been growing significantly in 2019-2020. So, how much is Joan Greenwood worth at the age of 66 years old? Joan Greenwood’s income source is mostly from being a successful Actress. She is from UK. We have estimated Joan Greenwood’s net worth, money, salary, income, and assets.

Net Worth in 2020$1 Million – $5 Million
Salary in 2019Under Review
Net Worth in 2019Pending
Salary in 2019Under Review
HouseNot Available
CarsNot Available
Source of IncomeActress

Joan Greenwood Social Network

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Timeline

1995

Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#63) (1995).

1987

Greenwood passed away at her home in Chelsea, London, on February 28, 1987, less than a week before her 66th birthday on March 4. Initial reports of her death suggest she died from a heart attack, however her entry in the Oxford Dictionary of National Biography (which cites her death certificate) gives her cause of death as “acute bronchitis and asthma”.

1978

She appeared in The Hound of the Baskervilles (1978) while her husband André Morell appeared in The Hound of the Baskervilles (1959).

1968

She provided the evil voice (uncredited) of the Great Tyrant in Barbarella (1968).

1952

In between her two other major screen roles–Gwendolen Fairfax in The Importance of Being Earnest (1952) and lascivious Lady Bellaston in Tom Jones (1963)–Joan had a brief spell in Hollywood, paired again with Stewart Granger for Fritz Lang’s gothic period melodrama Moonfleet (1955). She did not enjoy the experience. Eschewing the trimmings of Hollywood stardom, she opted instead for the uncomplicated life at Ealing, where actors “washed their hair in buckets” and lived on “toasted sandwiches, chocolates and soup”.

1949

She purred her way through Kind Hearts and Coronets (1949) (as the beguiling, but manipulative Sibella) and as Scottish Peggy Macroon she taunted straight-laced Basil Radford in Whisky Galore! (1949).

She was Lady Caroline Lamb in The Bad Lord Byron (1949) and she dutifully undermined idealistic, naive inventor Sidney Stratton (Alec Guinness) in The Man in the White Suit (1951).

1948

She was also effectively cast opposite Stewart Granger as the fragile, conflicted Sophie Dorothea, imprisoned in a loveless marriage, in Basil Dearden’s period romance Saraband (1948). Above all, she is fondly remembered for a trio of classic Ealing comedies, conveying a measure of eroticism while remaining quintessentially “correct” and “properly British”.

1947

On screen she gave a strong, sensitive performance in Eric Ambler’s psychological thriller The October Man (1947).

1943

Performing some time later in Clare Boothe Luce’s “The Women”, she was noticed by Leslie Howard, who cast the diminutive lass as his leading lady in his wartime flag waver The Gentle Sex (1943). From this time onward, Joan began to alternate between stage and screen, comedy and drama. She worked during the London Blitz and toured with the Entertainment National Service Association (ENSA). The theatre saw her in classical plays with the Donald Wolfit Company, ranging from George Bernard Shaw’s “Heartbreak House” to William Shakespeare’s “Hamlet” (as Ophelia), and Henrik Ibsen’s “Hedda Gabler”.

1887

Joan Greenwood, of the plummy feline voice, was born in the well-to-do London section of Chelsea, the daughter of renowned portrait painter Sydney Earnshaw Greenwood (1887-1949). Dancing from the age of eight, she took ballet lessons and later enrolled at the Royal Academy of Dramatic Art (RADA). Graduating at age 18, Joan made her theatrical debut in Molière’s “Malade Imaginaire” at the Apollo Theatre.