Age, Biography and Wiki
Clinton McKinnon was born on 24 December, 1969, is a Musician.
|Age||51 years old|
|Born||24 December 1969|
Clinton McKinnon Height, Weight & Measurements
At 51 years old, Clinton McKinnon height not available right now. We will update Clinton McKinnon’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Dating & Relationship status
He is currently single. He is not dating anyone. We don’t have much information about He’s past relationship and any previous engaged. According to our Database, He has no children.
Clinton McKinnon Net Worth
He net worth has been growing significantly in 2018-19. So, how much is Clinton McKinnon worth at the age of 51 years old? Clinton McKinnon’s income source is mostly from being a successful Musician. He is from . We have estimated Clinton McKinnon’s net worth, money, salary, income, and assets.
|Net Worth in 2020||$1 Million – $5 Million|
|Salary in 2019||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income||Musician|
Clinton McKinnon Social Network
|Wikipedia||Clinton McKinnon Wikipedia|
Umlaut is an experimental progressive band based out of Melbourne, Australia. It is the culmination of years of work for McKinnon. Umlaut’s eclectic musical stylings reside in the same vein as McKinnon’s previous bands Mr. Bungle and Secret Chiefs 3- injecting an energetic and whimsical blend of pop, jazz, avant-garde metal, symphonic atmosphere and electronica into its sound.
When Mr. Bungle officially disbanded, Bär was left with a mountain of material he had written for the band, so he decided to apply it towards a solo venture. Many of his Umlaut bandmates found him based on his prior music affiliations. According to McKinnon: “Melbourne is a very hip place as far as music and musicians and there’s no shortage of good musos so I’m super lucky that I ended up here, it just made the most sense. Musos sought me out, perhaps on the back of Bungle’s notoriety, I mean who knew a Mr Bungle member was living in Melbourne?”
The album’s single “Atlas Face” features Mike Patton, Faith No More frontman and fellow Mr. Bungle bandmate, on lead vocals.
Review from Consequence of Sound: “Sporadic bursts of circus-themed noise. The sludgy guitar grind of heavy metal. Unpredictable blasts of horn instruments. There’s no denying the influence of Mr. Bungle in every note of Umlaut’s self-titled album, and how can comparisons not be drawn when the band is the musical venture of Mr. Bungle’s saxophonist Clinton “Bär” McKinnon. But though it’s easy to see where McKinnon is drawing from, the Australian-based Umlaut is a wholly original project that takes a proven, experimental concept and makes it all its own”.
From MusicTrust: “Unlike the many other bands that seem bent on simply reveling in mad energy generated by constantly shifting and juxtaposing interludes and sections within the one ‘song’, there is a much higher level of compositional delicacy at play here. It’s obvious that Umlaut has thought long and hard about what should and shouldn’t go into the cauldron. The creation of multilayered textures on ‘To Your Poverty Quietly Go’ is something lacking in much of the music that gets made using a similar chop and change sensibility”.
Release Date: 29 August 2014 Label: Romero Records/ Orchard
Bungle’s lead singer Mike Patton had by the start of the 1990s achieved success in mainstream rock and metal with his other band Faith No More, which ultimately helped secure Mr. Bungle a record deal with Warner Bros. The band released a self-titled album (produced by John Zorn) in 1991, followed by the highly surreal Disco Volante in 1995. Their final album was California. As a multi-instrumentalist, Bär provided a distinct style both as a player and songwriter, most notably on Mr. Bungle’s final album, California. The album takes inspiration from Burt Bacharach and The Beach Boys, influences close to Bär’s heart. The album allowed more freedom for all members of Bungle in the songwriting process. California blended lounge, pop, jazz, funk, thrash metal, Hawaiian, Middle Eastern, kecak and avant-garde music. The band did 5 tours to support this record. For the most part, perhaps with the exception of the Sno-Core 2000 tour where they were often booed, the band did have success attracting an audience.
Bär, pronounced “bear”, is a childhood nickname, given to him by his older sisters. In 1989 Bär joined Mr. Bungle and studied music at Humboldt State University, where he met Trevor Dunn and Trey Spruance. His primary instrument is the saxophone, but he plays a number of other instruments including flute, keyboards, guitar, drums, percussion, bass and other assorted woodwinds.
He was a member of Mr. Bungle from 1989 to their disbandment in 2000, and has written and performed with Secret Chiefs 3, Dieselhed and Humboldt County hip hop/reggae/rock fusion band Lakota. He has also appeared on the Melt-Banana album Charlie, on the Carl Hancock Rux album Rux Revue, on the Ray’s Vast Basement album On the Banks of the Time, on the Eyvind Kang’s album The Story of Iceland and on the Barefoot Hockey Goalie album One Part Thomas Edison. Bär McKinnon is currently gigging around Melbourne with a band called Umläut.
Clinton “Bär” McKinnon (born 24 December 1969) is an American musician, perhaps best known playing saxophone in San Francisco based band Mr. Bungle.