Age, Biography and Wiki
John Landis (John David Landis) was born on 3 August, 1950 in Chicago, Illinois, United States, is an American film director, screenwriter, actor, and producer.
|Popular As||John David Landis|
|Age||70 years old|
|Born||3 August 1950|
|Birthplace||Chicago, Illinois, United States|
John Landis Height, Weight & Measurements
At 70 years old, John Landis height is 1.79 m .
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Who Is John Landis’s Wife?
His wife is Deborah Nadoolman Landis (m. 1980)
|Wife||Deborah Nadoolman Landis (m. 1980)|
|Children||Max Landis, Rachel Landis|
John Landis Net Worth
He net worth has been growing significantly in 2018-19. So, how much is John Landis worth at the age of 70 years old? John Landis’s income source is mostly from being a successful Director. He is from American. We have estimated John Landis’s net worth, money, salary, income, and assets.
|Net Worth in 2020||$1 Million – $5 Million|
|Salary in 2019||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income||Director|
John Landis Social Network
|Wikipedia||John Landis Wikipedia|
Sean Daniel, an assistant to Universal executive Thom Mount, saw The Kentucky Fried Movie and recommended Landis to direct Animal House based on that. Landis says of the screenplay, “It was really literally one of the funniest things I ever read. It had a nasty edge like National Lampoon. I told him it was wonderful, extremely smart and funny, but everyone’s a pig for one thing.” While it received mixed reviews, it was a massive financial success, earning over $120 million at the domestic box office, making it the highest grossing comedy film of its time. Its success started the gross out film genre, which became one of Hollywood’s staples. It also featured the screen debuts of John Belushi, Karen Allen and Kevin Bacon.
I had complete suspension of disbelief—really, I was eight years old and it transported me. I was on that beach running from that dragon, fighting that Cyclops. It just really dazzled me, and I bought it completely. And so, I actually sat through it twice and when I got home, I asked my mom, “Who does that? Who makes the movie?”
Landis made his directorial debut with Schlock. He was 21 years old. The film, which he also wrote and appeared in, is a tribute to monster movies. The gorilla suit for the film was made by Rick Baker—the beginning of a long-term collaboration between Landis and Baker. Though completed in 1971, Schlock was not released until 1973 after it caught the attention of Johnny Carson. A fan of the film, Carson invited Landis on The Tonight Show and showed clips to help promote it. Schlock has since gained a cult following, but Landis has described the film as “terrible”.
When you read about the accident, they say we were blowing up huts—which we weren’t—and that debris hit the tail rotor of the helicopter—which it didn’t. … The FBI Crime Lab, who was working for the prosecution, finally figured out that the tail rotor delaminated, which is why the pilot lost control. The special effects man who made the mistake by setting off a fireball at the wrong time was never charged.
Landis’ work has received recognition from the Academy of Television Arts & Sciences also known as the (ATAS), the Academy of Science Fiction, Fantasy and Horror Films, the National Cable Television Association, the National Association for Advancement of Colored People, the Golden Raspberry Awards, the Rando Hatton Classic Horror, the Amiens International Film Festival, the Cognac Festival du Film Policier, the Fantafestival, the Fantasporto Film Festival, the Italian National Syndicated of Film Journalists, the Monte-Carlo Comedy Film Festival, the Phoenix Film Festival, and the Sitges – Catalonian International Film Festival.
In August 2011, Landis said he would return to horror and would be writing a new film. He was the executive producer on the comedy horror film Some Guy Who Kills People.
Burke and Hare was released in 2010, Landis’s first theatrical release for over a decade.
He has directed several music videos. He was approached by Michael Jackson to make a video for his song, “Thriller”. The resulting video significantly impacted MTV and the concept of music videos; it has won numerous awards, including the Video Vanguard Award for The Greatest Video in the History of the World. In 2009 (months before Jackson died), Landis sued the Jackson estate in a dispute over royalties for the video; he claimed to be owed at least four years’ worth of royalties.
In 1994, Landis directed Eddie Murphy in Beverly Hills Cop III. They had previously worked together on Trading Places and Coming to America. In 1996 he directed The Stupids. Then he returned to Universal to direct Blues Brothers 2000 in 1998 with John Goodman and, for the fifth time in a Landis film, Dan Aykroyd: during that same year, he directed Susan’s Plan. The four movies did not score with critics and audiences.
In 1991 he directed Sylvester Stallone in Oscar, based on a Claude Magnier [fr] stage play. Oscar recreates a 1930 era film, including the gestures along with bit acts and with some slapstick, as an homage to old Hollywood films. In 1992 Landis directed Innocent Blood, a horror-crime film.
In 1991, Landis collaborated again with Michael Jackson on the music video for the song “Black or White.”
Landis next directed the Eddie Murphy film Coming to America, which was commercially successful. It was also the subject of Buchwald v. Paramount, a civil suit filed by Art Buchwald in 1990 against the film’s producers. Buchwald claimed that the concept for the film had been stolen from a 1982 script that Paramount optioned from Buchwald. Buchwald won the breach of contract action.
Landis has been active in television as the executive producer (and often director) of the series Dream On (1990), Weird Science (1994), Sliders (1995), Honey, I Shrunk the Kids: The TV Show (1997), Campus Cops (1995), Sir Arthur Conan Doyle’s The Lost World (1998), Masters of Horror, and various episodes of Psych. He also made commercials for DirecTV, Taco Bell, Coca-Cola, Pepsi, Kellogg’s, and Disney. In 2011 he made an appearance in Reece Shearsmith and Steve Pemberton’s television series Psychoville.
Landis and four other crew members were charged with involuntary manslaughter. The prosecutors attempted to show that Landis was reckless, and had not told the parents and others of the children’s proximity to explosives and helicopters and of limitations on their working hours. He admitted that he had violated the California law regulating employment of children, by using the children after hours, and conceded that that was “wrong.” But he denied culpability. Numerous members of the film crew testified that the director was warned, but ignored these dangers. After a nine-month jury trial during 1986 and 1987, Landis, represented by criminal defense attorneys Harland Braun and James Neal, and the other crew members were acquitted of the charges.
In 1986 Landis directed Three Amigos, which featured Chevy Chase, Martin Short and Steve Martin.
On July 23, 1982, during the filming of Twilight Zone, actor Vic Morrow and child extras Myca Dinh Le (age 7) and Renee Shin-Yi Chen (age 6) were killed in an accident involving an out-of-control helicopter. The three were caught under the aircraft when it crashed. The National Transportation Safety Board reported in October 1984:
Landis made his first documentary, Coming Soon in 1982; it was only released on VHS. Next, he co-directed B.B. King “Into the Night” (1985) and in 2002 directed Where Are They Now?: A Delta Alumni Update, which can be seen as a part of the Animal House DVD extras. Initially, his documentaries were only made to promote his feature films. Later in his career he became more serious about the oeuvre and made Slasher (2004), Mr. Warmth: The Don Rickles Project (2007) and Starz Inside: Ladies or Gentlemen (2009). These documentaries were filmed for television; Landis won a 2008 Emmy Award for Mr. Warmth. He worked on the Making of Thriller, which was filmed in 3-D. Landis appeared in the Spanish documentary The Man Who Saw Frankenstein Cry, which covered the career of Spanish movie director Paul Naschy.
In 1981, Landis wrote and directed another cult-status movie, the comedy-horror An American Werewolf in London. It was perhaps Landis’s most personal project; he had been planning to make it since 1969, while in Yugoslavia working on Kelly’s Heroes. It was another commercial success for Landis and inspired studios to put comedic elements in their horror films.
In 1980, he co-wrote and directed The Blues Brothers, a comedy starring John Belushi and Dan Aykroyd. It featured musical numbers by R&B and soul legends James Brown, Cab Calloway, Aretha Franklin, Ray Charles and John Lee Hooker. It was, at the time, one of the most expensive films ever made, costing almost $30 million (for comparison, Steven Spielberg’s contemporary film 1941 cost $35 million). It is speculated that Spielberg and Landis engaged in a rivalry, the goal of which was to make the more expensive movie. The rivalry might have been a friendly one, as Spielberg makes a cameo appearance in Blues Brothers (as the unnamed desk clerk near the end) and Landis had made a cameo in 1941 as a messenger.
Landis began his film career working as a mailboy at 20th Century Fox. He worked as a “go-fer” and then as an assistant director during filming MGM’s Kelly’s Heroes in Yugoslavia in 1969; he replaced the film’s original assistant director, who became ill and was sent home. During that time Landis became acquainted with actors Don Rickles and Donald Sutherland, both of whom would later work in his films. Following Kelly’s Heroes, Landis worked on several films that were shot in Europe (especially in Italy and England), including Once Upon a Time in the West, El Condor and A Town Called Bastard (a.k.a. A Town Called Hell). Landis also worked as a stunt double.
John David Landis (/ˈ l æ n d ɪ s / ; born August 3, 1950) is an American film director, comedian, screenwriter, actor, and producer. He is best known for the comedy films that he has directed, such as National Lampoon’s Animal House (1978), The Blues Brothers (1980), An American Werewolf in London (1981), Trading Places (1983), Three Amigos (1986), Coming to America (1988) and Beverly Hills Cop III (1994), and for directing Michael Jackson’s music videos for “Thriller” (1983) and “Black or White” (1991).